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DTSTART:20260329T030000
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DTSTART;TZID=Europe/Brussels:20251028T193000
DTEND;TZID=Europe/Brussels:20251028T223000
DTSTAMP:20250924T155217Z
CREATED:20250924
LAST-MODIFIED:20250924
PRIORITY:5
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SUMMARY:Mamalarky
DESCRIPTION:Quirky indie rock laced with fuzzy guitars and playful charm\n“The Atlanta indie rockers channel a tactful self-assurance while following their trippy, idiosyncratic impulses.”\nPitchfork\nFor their third record, Hex Key, Mamalarky spent months in their LA home studio—recording in between ice cream trucks and stray cats. The album captures a spirit of persistence, weaving vivid desires and raw vulnerability into effervescent, intense compositions. It’s about chasing perfection while confronting emotional complexity.\nOver 8 years, the band has lived in Austin, Atlanta, and LA, forming a rare bond. “There’s no air of professionalism,” says drummer Dylan Hill. “It’s just four friends hanging out and digging into something.” That closeness allows them to fight for the music—not against each other, but for excellence.\nWhile 2022’s Pocket Fantasy was freer, Hex Key is obsessively honed. Working without producers or outside influences, the band focused entirely inward. “We’re always staring each other in the eyes saying, ‘Let’s make this next take incredible,’” says singer/guitarist Livvy Bennett. The band’s dedication is literal—Hill recorded drums for “#1 Best of All Time” while battling poison ivy.\nThe result is an intricate, ever-surprising album that blends genres and moods: “The Quiet” features ethereal vocals and stylophone warbles; “Anhedonia” reimagines ’90s grunge with dream-pop textures; “Nothing Lasts Forever” flows with a slinky yet propulsive groove. Each track is its own sonic universe. “The worst thing you can say about a Mamalarky song is that it sounds like another one of ours,” says bassist Noor Khan.\nThat spirit of experimentation extends to the album’s emotional core. “Feels So Wrong,” the first track written for Hex Key, wrestles with self-doubt while offering reassurance. At the time, Bennett had just moved to LA, quit her job, and was delivering pizzas via Uber Eats. Producing other artists from home with keyboardist Michael Hunter inspired more genre-blending and a surge of creative output. “I was writing my favorite music ever, but still felt uncertain,” she says.\nThe album doesn’t try to resolve discomfort—it embraces it. Themes of self-doubt, alienation, and yearning run throughout. “A lot of this record is about reconciling with rage and making something useful from it,” says Bennett.\nTheir writing process even involved hiking near Bennett’s home—discussing arrangements mid-ascent, then finding peace at a mountain pond. That journey mirrors the album’s essence: Hex Key chronicles emotional and creative struggles, blazing with intensity, regardless of whether it ever reaches the summit.\n
URL:https://ctrlaltmusic.com/events/mamalarky/
CATEGORIES:Concerts
LOCATION:236 Koningsstraat 1210 Brussels
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